Selected Writing by Keith Morrison
Caribbean Transitions American University Museum at the Katzen Arts Center, Washington D.C., 2022
“Ralph Arnold and a Tale of Two Chicagos” Museum of Contemporary Photography, Chicago, 2018
The Abstract Originality of Norman Lewis, 2015
Magical Visions, 2012
Shanghai Biennale, 2008
The Unobtrusive brush of Graham Davis, 2008
Ceremony in Space, Time and Sound, National Gallery of Art, Jamaica, 2008
Pin-pricked Deities: The Art of Joyce Scott, Kickin’ It with the Old Masters, Baltimore Museum of Art, 2000
Getty Conservation Institute, 1999
African American Visual Aesthetics, A POSTMODERNIST VIEW, 1996
“Questioning the Quality Canon”, New Art Examiner, October 1990
On Gauguin, 1988, 1988
Art in Washington and Its Afro-American Presence: 1940-1970, 1985
R.B. Kitaj at the Hirsh Horn: The Sword of Don “Quicksote”, 1981
The Emerging Importance of Black Art in America, 1980
Art Criticism: A Pan-African Point of View, New Art Examiner, 1979
Interview with Sam Gilliam, New Art Examiner, 1977
“Jacob Lawrence’s Toussaint L’Ouverture”, 1971
“Black Experience”, Bergman Gallery, University of Chicago, 1969