Keith Anthony Morrison
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Selected Writing by Keith Morrison

Caribbean Transitions American University Museum at the Katzen Arts Center, Washington D.C., 2022

“Ralph Arnold and a Tale of Two Chicagos” Museum of Contemporary Photography, Chicago, 2018

The Abstract Originality of Norman Lewis, 2015

Magical Visions, 2012

Shanghai Biennale, 2008

The Unobtrusive brush of Graham Davis, 2008

Ceremony in Space, Time and Sound, National Gallery of Art, Jamaica, 2008

Pin-pricked Deities: The Art of Joyce Scott, Kickin’ It with the Old Masters, Baltimore Museum of Art, 2000

Getty Conservation Institute, 1999

African American Visual Aesthetics, A POSTMODERNIST VIEW, 1996

“Questioning the Quality Canon”, New Art Examiner, October 1990

On Gauguin, 1988, 1988

Art in Washington and Its Afro-American Presence: 1940-1970, 1985

R.B. Kitaj at the Hirsh Horn: The Sword of Don “Quicksote”, 1981

The Emerging Importance of Black Art in America, 1980

Art Criticism: A Pan-African Point of View, New Art Examiner, 1979

Interview with Sam Gilliam, New Art Examiner, 1977

“Jacob Lawrence’s Toussaint L’Ouverture”, 1971

“Black Experience”, Bergman Gallery, University of Chicago, 1969

“The Probing Line: An Essay on Richard Hunt”, 1968

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