{"id":28976,"date":"2016-12-14T16:26:39","date_gmt":"2016-12-14T16:26:39","guid":{"rendered":"http:\/\/keithmorrison.com\/?page_id=28976"},"modified":"2025-05-29T16:20:21","modified_gmt":"2025-05-29T16:20:21","slug":"reviews","status":"publish","type":"page","link":"https:\/\/keithmorrison.com\/?page_id=28976","title":{"rendered":"Reviews"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;section&#8221; _builder_version=&#8221;4.16&#8243; global_colors_info=&#8221;{}&#8221;][et_pb_row admin_label=&#8221;row&#8221; _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.16&#8243; custom_padding=&#8221;|||&#8221; global_colors_info=&#8221;{}&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; text_orientation=&#8221;center&#8221; module_alignment=&#8221;center&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<h1>Selected Reviews About Keith Morrison<\/h1>\n<p>&nbsp;<\/p>\n<p class=\"font--headline offblack headline mb-xs pb-xxs-ns\" data-testid=\"headline\" data-qa=\"headline\" id=\"main-content\"><span data-qa=\"headline-text\"><a href=\"https:\/\/www.washingtonpost.com\/arts-entertainment\/2022\/06\/28\/american-university-museum-caribbean-transitions\/\" target=\"_blank\" rel=\"noopener\"><strong>American University Museum spotlights Caribbean American art<\/strong><\/a>, Washington Post, Mark Jenkins, 2022<\/span><\/p>\n<p class=\"font--headline offblack headline mb-xs pb-xxs-ns\" data-testid=\"headline\" data-qa=\"headline\"><span data-qa=\"headline-text\"><\/span><span data-qa=\"headline-text\"><a href=\"https:\/\/repeatingislands.com\/2022\/06\/08\/art-exhibition-caribbean-transitions\/\" target=\"_blank\" rel=\"noopener\"><strong>Art Exhibition: &#8220;Caribbean Transitions&#8221;<\/strong><\/a>, Repeating Islands, 2022<\/span><\/p>\n<p class=\"font--headline offblack headline mb-xs pb-xxs-ns\" data-testid=\"headline\" data-qa=\"headline\"><span data-qa=\"headline-text\"><a href=\"https:\/\/www.youtube.com\/watch?v=gEPZrv9wSW4\" target=\"_blank\" rel=\"noopener\"><strong>Artist Talk with Keith Morrison on the Landscape as an Allegory<\/strong><\/a>, 2022<\/span><\/p>\n<p class=\"font--headline offblack headline mb-xs pb-xxs-ns\" data-testid=\"headline\" data-qa=\"headline\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29426\">Passages: Keith Morrison 1999-2019<\/a><\/strong>, 2019<\/p>\n<p class=\"font--headline offblack headline mb-xs pb-xxs-ns\" data-testid=\"headline\" data-qa=\"headline\"><a href=\"https:\/\/www.youtube.com\/watch?v=AF7J-Wo9lXw\" target=\"_blank\" rel=\"noopener\"><strong>Keith Morrison Gallery Talk<\/strong><\/a>, July 2019<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29268\">Duke University Performances Black Atlantic Series: &#8220;Keith Morrison, The Middle Passage, The Middle Passage II&#8221;<\/a><\/strong><\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"https:\/\/vimeo.com\/300529395\" target=\"_blank\" rel=\"noopener\">An Oral History of Artist Keith Morrison<\/a>, <\/strong>2017<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1153\">Julie L. McGee: \u201cKeith Morrison Middle Passage\u201d<\/a><\/strong>, 2015<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29245\">African Diaspora in the Cultures of Latin America, the Caribbean and the United States<\/a><\/strong>, edited by Persephone Braham, University of Delaware Press, 2014<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1EqcWmp62aGydapWSw-R3U_l6P1Y6vShj\/view\" target=\"_blank\" rel=\"noopener\">Conversation between Keith Morrison and Colette Gaither<\/a>,<\/strong> University of Delaware, 2011<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1145\">Franklin W. Knight &#8220;The Art of Keith Morrison&#8221;<\/a><\/strong>, Jamaica Observer, 2011<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"https:\/\/www1.udel.edu\/udaily\/2009\/oct\/jones101008.html\" target=\"_blank\" rel=\"noopener\">Keith Morrison lecture gives insights into the making of his art<\/a><\/strong>, UDaily, 2008<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"https:\/\/www1.udel.edu\/udaily\/2009\/sep\/discursive093008.html\" target=\"_blank\" rel=\"noopener\">&#8216;Discursive Acts&#8217; art exhibition on view in Mechanical Hall<\/a><\/strong>, UDaily, 2008<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29239\">Keith Morrison<\/a><\/strong>,\u00a0by Rene Ater, Pomegranate Press, 2005<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1151\">Kenneth Baker: \u201cKeith Morrison\u2019s Art is the Stuff of Dreams\u201d<\/a><\/strong>, San Francisco Chronicle, 1996<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29407\" title=\"Dancing with Chaos: Art of Keith Morrison\">Dancing with Chaos: Art of Keith Morrison<\/a><\/strong>, 1995<\/p>\n<p class=\"entry-title main_title\"><a href=\"https:\/\/www.dropbox.com\/scl\/fi\/2wb15qkerpoxzskbpvtcs\/African-American-Artists-Affirmation-Today-Prores-422.mov?rlkey=8tfk468thjrp4jt6mbgkxxdnw&amp;e=2&amp;dl=0\" target=\"_blank\" rel=\"noopener\"><strong>African American Artists &#8211; Affirmation Today<\/strong><\/a>, National Museum of American Art Smithsonian Institution, 1994<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1205&quot;\">Three Transnational Artists:\u00a0Jos\u00e9 Bedia, Edourad Duval-Carri\u00e9 and Keith Morrison by Judith Bettelheim<\/a><\/strong><\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1149\">Howard Risatti: Keith Morrison<\/a><\/strong>, Art Forum International, 1992<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1143\">Charles Merewether: \u201cTransformation and Renewal\u201d<\/a><\/strong>, Museo de Arte Contemporaneo de Monterrey, 1991<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1141\">Peter Schjeldahl: \u201cThe Time of the Meteor: U.S. Painting in the 1980\u2019s\u201d<\/a><\/strong>, Museo de Arte Contemporaneo de Monterrey (MARCO), 1991<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1147\">Richard J. Powell, \u201cAnansi Revisited: Keith Morrison\u2019s New Work\u201d<\/a><\/strong>, 1990<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=1155\">David C. Driskell, Keith Morrison: Interpreter of the Mythic Dream<\/a><\/strong>, 1990<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=29257\">Keith Morrison<\/a><\/strong> by Roberta Smith, New York Times, April 27, 1990<\/p>\n<p class=\"entry-title main_title\"><strong><a href=\"http:\/\/keithmorrison.com\/?page_id=855\">Choosing: An Exhibit of Changing Perspectives in Modern Art and Criticism by Black Americans, 1925 -1985<\/a><\/strong>, Washington, D.C.: Museum Press, 1986<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Selected Reviews About Keith Morrison &nbsp; American University Museum spotlights Caribbean American art, Washington Post, Mark Jenkins, 2022 Art Exhibition: &#8220;Caribbean Transitions&#8221;, Repeating Islands, 2022 Artist Talk with Keith Morrison on the Landscape as an Allegory, 2022 Passages: Keith Morrison 1999-2019, 2019 Keith Morrison Gallery Talk, July 2019 Duke University Performances Black Atlantic Series: &#8220;Keith [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-28976","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/pages\/28976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/keithmorrison.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28976"}],"version-history":[{"count":4,"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/pages\/28976\/revisions"}],"predecessor-version":[{"id":29927,"href":"https:\/\/keithmorrison.com\/index.php?rest_route=\/wp\/v2\/pages\/28976\/revisions\/29927"}],"wp:attachment":[{"href":"https:\/\/keithmorrison.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}